Naija Favorite music – The Sound Of Nigeria. For those individuals not really acquainted with Naija Music – here is the sound emanating from your Nigerian Music scene. African music is, on the whole, as diverse as the cultures found throughout the continent with every region enjoying its own unique kind of popular music accompanied by a range of instruments many Westerners are not familiar with.
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Nigerian Popular music includes from Folk Common music to most of the Popular Common music found through the world. There are several indigenous and ethnic peoples in Nigerian – therefore it really should not be surprising that every ethnic group enjoys its own unique popular music flavour and instrumentals, poetry and popular music style.
Did you realize, for example, that traditional music present in Nigeria is closely linked to its agriculture, with certain instruments not being allowed to be played during various seasons? Labour songs really are a everyday sort of indigenous Nigerian popular music which will help to keep the rhythm of workers in fields along with the river canoes (think slave songs of the Deep South).
The history is often told about the mother cheetah who returns home through the hunt to locate her cubs happen to be trampled to death by elephants. Understanding that she actually is no match for such giants, she blames and kills a herd of goats. Similarly, when a group of Kenyan musicians took for the streets a week ago calling at a lower price Nigerian and Tanzanian music, these were killing goats. The elephant in this case is history. However, not even history is actually a match for innovation.
It’s funny, however the country music star Kenny Rogers comes to Kenya today, charge an arm and a leg, and play a month of sold-out stadium gigs. Yet his heyday is in the ‘80s. Exactly the same holds true for top-tier Nigerian acts. Their time, however, is currently. Kenya seems predisposed to preferring the foreign, the exotic, the western. At the risk of being charged with raising ‘that old trope,’ everything began with all the erosion of our own culture when the colonialists came. Colonialism eroded Kenyan culture I daresay a lot more than it did in West Africa, in Uganda, in Tanzania. Kenya was a settler state. The Brits had no plans of going anywhere. Ever. And then in their assistance, and under duress, we threw the culture baby out with the pagan bath water and planted the Church and also the Union Jack over the scene in the crime dressed in mandatory, state-issued calico cloth threatened from the physical and mental whips of our own settler masters. And when the brand new government in independent Kenya clamped upon the Funk movement of the late 70s in addition to all other artistic expression, threatening and jailing academics in the universities and strangling the media, we shrunk into our cocoons, allowing ourselves instead to get satiated and sedated by the likes of ABBA, The Bee Gees and The Beatles. Homegrown innovation have been dealt a blow that could take us decades to recoup from. I used to be born middle-class (and English-speaking) in the ‘70s. My predilection for all things Western was established at the start of life. I would personally be irritated, nay embarrassed, when I’d return home from school and find the housekeeper blasting ‘that shady Rhumba.’ After I began my music career inside the 90s there weren’t many Kenyan musicians to appear up to. Anyone that had managed to record anything have been condemned by society to dying, drunk or living poor, a direct result ‘loose morals and bad choices.’
I’m always slightly embarrassed when I introduce myself to folks I meet across the continent. I’m ‘Eric,’ while the South Africans are ‘Kgomotso’; the Nigerians are ‘Olusegun.’ Even while the Tanzanians could be ‘Damien’- pronounced ‘Da-mi-YEN’- they speak Kiswahili with such ease and fluidity having studied subjects like Biology in their national language. The Kiswahili language rolls off their tongues like honey towards the easy beat of Bongo Flavour, as close as possible get to Zouk singing on dry land. Because of this, in Tanzania, American Idol loses pride of place to Project Bongo, a reality show concentrating on homegrown talent. Conversely, urban Kenyans get so far as Sheng, a hybrid of Kiswahili and vernacular ipebrc so diverse that kids from estates separated by as little as a highway have different names for the similar thing. Sheng dictionaries become obsolete once they go to press, because of the rapidity in the change of vocabulary. A Sheng speaker can date you to definitely inside a year of your own birth, locate your property to inside a street by the word you use for ‘car’ or ‘mobile phone.’ Inside the rural areas, Kiswahili is as foreign as Greek, and is spoken only by those that may have picked it up at school or by those ethnicities whose ethnic language shares a standard Bantu base with Kiswahili, similar to that between Italian and Spanish. We claim to have a national language. Listen again.